One of Bessler’s clues which may have slipped past our attention is this one, it begs the question, why did he add the name Johann?
We are familiar with his use of the atbash code, the Caesar shift and the RoT13 code, and his addition of an extra two initials J and E to his original E for Elias Bessler.
He adopted his pseudonym, Orffyreus, by using the RoT13 code, which was a well-known code system in his time. I think he knew this and expected those people who were curious would search for other clues within his published works, just as we have.
His use of a variety of codes included - alphanumerics, Caesar shift, chronograms (a sentence containing certain letters which can be interpreted as Roman Numerals and stand for a number when rearranged.) Steganography (the practice of hiding information within a different media such as embedding it invisibly within a drawing) - plus a few of his own invention.
I asked the question, why did he add the name Johann? He had already got two E’s to give two 5s, alphanumerically; then from the E to the R via the Caesar shift; and to 18 from R again, alphanumerically. These all fit in perfectly to confirm the pentagram. So why did he think it necessary to add the J.
J is the tenth letter alphanumerically, or W by the Caesar shift. W is the 23rd letter. I can’t think of a convincing reason for the number 23, so its purpose may be the fact that the W is composed of two Vs. But we already have two 5s, but the W which does however, provides two linked Vs. This might reflect Bessler’s statement that the weights worked in pairs
His use of the W was definitely an important clues and conceived as a clue right back in the beginning when he adopted the name Orffyreus,
His initials after his forename additions were JEEB, and after the RoT13 change became WRRO.
But when converted to Roman numerals, before the addition, JEEB in Roman numerals 10, 5,5,2,, which then becomes XVVII. If we stick with his chosen pseudonym, Orffyreus, then XVVO is the interesting result.
So we have a W which is composed of two linked Vs.
But there’s more. Throughout his Apologia Poetica Bessler inserts numerous examples of rhyming couplets containing three Capital letters being the three initials of his ‘enemies’, Wagner, Gartner and Borlach - W,G and B.

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