The Code contained in the Orffyrean Declaration of Faith - Part Four

 SKILLED CODEBREAKER NEEDED!

Do you have the skills to decipher a 300 hundred year old code which could revolutionise the way we produce cheap clean energy? If the answer is yes, read on.

Deciphering the Orffyrean Declaration of Faith

 

 Part Four

I think it will be helpful for those people interested in studying the coded information discussed in these latest three blogs to study the actual pages I have used from the original publication Apologia Poetica by Johann Bessler (AKA Orffyreus).

So in order to assist anyone who feels that they may be able to advance the work I’ve done so far, limited as it is, I have reproduced copies of the relevant pages from chapter 55 of Apologia Poetica and numbered all of the lines including the four blank ones. I have drawn red arrows to identify where they are, and included them in the line count and you will see that there are four. Using the numbers it should be possible to identify, firstly the particular line and then the position of the letter or space.

To do this one must first find out how to ‘read’ the bible references. I haven’t given up on believing I can do this, but putting this on the internet seems a good way to bring what I have done so far to people’s attention and perhaps it will catch the eye of a better code-breaker than I. Maybe he or she can break the log jam and reveal the message Bessler was so determined to leave us, but which he was equally determined should not be revealed too soon. More than 300 years have passed and I think it’s time for the message to be read.

Anyway within these eight pages are contained both the bible references as well as the 54 stanzas (plus the four blank lines) which conceal the secret message. The encoded part ends on the last page with the last word ‘Ende’.

As I mentioned on the first of these Declaration of Faith blogs, I first published this information back in 2010, yet nothing further has been accomplished, as far as I know, so please, if you have the required skills or know some who has, please show them my work here and perhaps, eventually we will be able read about how Bessler’s wheel worked.

JC

Additional Imagery in Support Bessler’s Wheel.

There are a number of images taken from Johann Bessler’s books which appear to support my previous post on Bessler’s Wheel Revealed.  I shall occasionally post some here.

One of the things that caught my attention in my physical build is the appearance of the mechanism reminding me of a peacocks tail. It’s just one mechanism but it does bring that image to mind.  I’ll post a picture of one of the mechanisms which demonstrates that.

The second thing is the clues which I know many people dismiss, but Bessler must have thought it worthwhile to include them, and he had a purpose in doing so. Here is an example of one of them.

JEEB, (his initials), J is the 10th letter, two letters E, which are the 5th letter. He added the J and one of the Es to his forename when he succeeded in building his first PM wheel. 

JEEB using the Caesar shift becomes WRRO. R is the 18th letter. W 23rd letter which doesn’t seem important but it might appear to be there for the following reason, W is composed of two Roman numerals, V meaning 5.

Apart from that the letter ‘J’ seems almost superfluous.  He gave us two ‘E’s which gives is 5 and 18, and the pentagram, why the letter ‘J’.

He often, (dozens of times) hand wrote the letter W as shown below as two Roman numerals linked together, and you can see it twice in the accompanying passage. Why did he want to show them linked?

The last picture I included include the ‘W’ in the scissors and although it may not look very obvious from my drawing it is very clear in my physical build.

 I always thought it unnecessary to add the ‘J’ and therefore the ‘W’ when he had already informed us of the importance of the two ‘E’s, but the ‘W’ as shown in the printed extract shown above mimics the W in my drawing. Notice how the centre of the ‘W’ has crossed lines as in the drawing.

Bessler used any opportunity to put a veiled reference to these numbers. I should also point out that the 2G’s, refers to his enemy in chief Andreas Gärtner. The 2 W’s refers to another enemy, Christian Wagner, the two B’s refer to the third enemy, Johann Gottfried Borlach.

NB - I only noticed the presence of the ‘W’ in my last picture a couple of weeks ago but I’m certain that it is one of the reasons he included the letter ‘J’ in his initials.

JC

Bessler’s Wheel Revealed

Finally I’m going to share what I know, and what I think I know, about the solution to Bessler’s wheel. This will be a bit shorter than my intended document, because today, 29th December 2023, I accidentally deleted several pages of explanations, and I can’t get them back and I can’t remember everything I wrote!

This might not be such a bad thing as the “Big Reveal” was getting too big! I will try to curtail my enthusiasm for giving too much detail.  After all, all you really want to know is “how did Bessler’s Wheel work? And how close to Bessler’s is the design I’m going to share with you?  Is it the same as Bessler’s.  I think at the end you will think that it is a bit closer.

My skills in MS Paint are fairly basic so I’ll combine paint and drawings and text to try to explain what I know.

We know Johann Bessler would rather have died without being paid for his secret, than have given it away because he said so in Apologia Poetica  (AP). He also intimated that the answers could found in his books.  But how would he hide information in books in plain sight without anyone realising and discovering the secret for them selves?

There is a lot of undeciphered code in the books but the most illuminating items are the illustrations in those books. “A picture is worth a thousand words" is an adage in multiple languages meaning that complex and sometimes multiple ideas can be conveyed by a single still image, which conveys its meaning or essence more effectively than a mere verbal description.   In Bessler’s case the opposite seems almost true.  His pictures look bland and boring and inaccurate but they contain real information disguised in an ingenious way.

PART ONE

Bessler took an inordinate amount of trouble to hide the importance of the number five in plain sight.  Despite its ubiquity the majority of people seem to have dismissed its seeming importance and continued on their search for the solution, relying on the witness report of eight thumping noises from the Kassel wheel.

I searched for and found geometric and numerical patterns within all of the inventor’s publications.  I found pentagons in various places. Most significantly in his first two books, Grundlicher Bericht (GB) and Das Triumphirende. (DT) Two of them in DT indicated parts of the mechanism hidden in one segment of the pentagram.

Bessler also buried within his copious amounts of writing, many clues presented almost as an off-the-cuff comments, but deliberately sown into the text to catch the eye of any serious researcher.

In one example he wrote, “a great craftsman would be he who, as one pound falls a quarter, causes four pounds to shoot upwards four quarters.”  Note that within the quote he mentions that there are five weights, one plus four, and each one is equal to one pound.  Secondly, one pound falls a quarter.  How do we define what he meant by a quarter? In this case he was referring to a clock - something he also embedded, invisibly, in the first drawings in both Grundlicher Bericht and Das Triumphirende - and a quarter of an hour or fifteen minutes covers 90 degrees.  But how could this single right angle fall cause “ four pounds to shoot upwards four quarters”? 

We saw in the first part that the word ‘quarter', referred to, not just 90 degrees but also to a clock.  In the second part the word ‘quarter' also refers to a clock but this time he has confused us by using the words ‘four quarters’. ‘Four quarter’s equals ‘one whole hour’.  Each hour on a clock is divided into 30 degrees, so the words ‘four quarters’ meaning ‘one hour’ as used here equals thirty degrees.  To paraphrase Bessler’s words, “a great craftsman would be he who, as one pound falls 90 degrees, causes each of the other four pounds to shoot upwards 30 degrees.” 

You might also think it would have been better to have said that “one pound falls 90 degrees, causes one pound to shoot upwards 30 degrees”, but that would have removed the information that five weights, and therefore five mechanisms were involved, so it had to be four weights plus the one. 

I should point out that in previous blogs I have shown two other places where Bessler showed the same information, that is, a weight falling 90 degrees, causes another weight to shoot up the same 30 degrees.

In MT Bessler hints that other odd numbers will also work, by creating slightly different page numbers for the ones he was was pointing to.  So in addition to five mechanisms, he included seven, nine and eleven mechanisms. I think it possible that the Kassel wheel had nine mechanism and one of them was silenced with felt, hence “the sound of about eight weights landing on the side towards which the wheel turned”, as reported by Fischer von Erlach.

Why five mechanisms and how does it need such short sharp lift?

In the illustration below you see a wheel divided into five equal portions, a weighted lever in each one. The wheel turns clockwise. The weights fall through 90 degrees.  Each weighted lever is tilted forward 18 degrees.

In the next one the black weighted levers fall from their pre-fall position and once fallen, come to rest at the wheel’s edge.  As the wheel continues to turn the weighted levers begin a retrograde motion, rotating backwards as  wheel rotates forwards

The only problem arises when the weighted lever has fully returned to its starting point; it needs to be pulled outwards in order to be able fall again. It’s locked in and can’t fall.  As you can see in the picture there needs to be a cord connecting the mechanism to pull the locked in lever out by at least 30 degrees. 

Bessler and Wagner had a brief discussion in which Bessler wrote,  “ Even Wagner, wherever he is now, will have heard that one pound can cause the raising of more than one pound. He writes that, to date, no one has ever found a mechanical arrangement sufficient for the required task. He's right! So am I, and does anyone see why? What if I were to teach the proper method of mechanical application? Then people would say: "Now I understand!”

I think the picture below explains Bessler’s view - they were both right.

This looks promising but we all know it won’t work.  Why?  

Because it lacks the Bessler-Collins Connectedness Principle.

PART TWO

When Bessler briefly mentioned the principle we had no idea what it was.  Maybe a prime mover because he said several of the machines in Maschinen Tractate (MT)  wouldn’t work unless they had it included in the design. 

In the following description I decided to add my name to the title of this version for the following reason.  Although he mentioned it in his MT no one knew what it was, but I believe I have discovered the answer by studying and deducing what it must be. I decided to publish my idea but realised that if his own definition of the principle should surface, perhaps through someone deciphering some encoded text, it might be very different or just slightly divergent, I had better add my name to my version.  Because although his principle might be the same as mine, if his description of it turns up at some point, it will be useful to be able to differentiate between the two versions.  Anyway mine might be wrong or just different, but I don’t think it is.

So here is what I believe to be the Connectedness  Principle probably discovered by Johann Bessler, but also by me more than 300 years later.

Firstly, why did he use the word “connectedness”? He could have used a “connection” or “connect”. But those two words suggest a firm connection, whereas “connectedness” has a different nuance, a feeling of variable or intermittent contact.  What does that mean?

Considering the word “connectedness”, I thought that the connections must be between the weight and the pivot, the weight and the wheel or the pivot and the wheel.  It seemed to me that the connection between weight and the pivot as well as the one between the weight and the wheel had been explored an infinite number of times leading to a similar number of failures.  But the connection between the pivot and the wheel hasn’t been explored as far as I know, maybe it has but I haven’t seen it discussed.

In the picture above, all the weighted levers are connected to their pivots and able to swing and rotate about them.  The only variable lies in the position of the weight at certain times. I realised that it might be possible to arrange for the pivot itself to move from one position to another and back again.

The picture below is similar to the one above but I’ve added the results of enabling moveable pivots.  The red weights show the improved positions caused by moveable pivot points.  Notice the red weights have taken up different positions particularly at radius 5 and 1.

The red weight at radius 5 is actually too early and would arrive there when radius 5 is about half way closer to where radius 1 is.

So in my opinion the Bessler-Collins Connectedness Principle requires the designing of an odd number of weighted levers supported by moveable pivot points.  The lever itself should not be extended because the moving pivot will send the weight on its end to reach further back on the wheel’s edge.

Briefly then the pivot is attached to a moveable part of the mechanism.  When the lever begins to fall, it’s pivot begins to move sideways , causing the path of the weight to follow a straight sloping path. The weight lands much further back along the circumference creating more torque.  This makes the wheel rotate further than it would do with the simpler system shown above. 

I must stress that the moveable pivot must be attached to a moveable part of the mechanism not directly connected to the wheel. 

PART THREE

The following pictures demonstrate where and how Bessler provided the necessary information.

The green circle is required and touches the tops of the two supports. It’s encloses the left end of the horizontal part of the ‘T’ shaped pendulum. It also includes the padlock, and touches the bottom and right side of the picture.

The pendulum is too long as it is and the excess needs to be removed.  The remaining part of the pendulum fits inside the pentagon fifth portion.  The red and blue parts show the two positions the weighted lever must reach.  Before we examine this picture we must rotate it 180 degrees.  This is indicated by the apparent typo in the padlock, which is wrongly labelled 42, but should read 24.  I have argued many times that this is a deliberate act designed to inform us to turn the picture upside down.  Now I’ve done it.

In the above picture the detail contained within the red square on the right shows the similarity to the main mechanism, except that the end of the horizontal part of the ‘T’ pendulum  appears to be attached to a wall.  This I believe indicates that that part in the main mechanism is fixed to the wheel able to rotate about that point.  This suggestion is supported by the picture below, which shows detail from the GB and DT.  The left picture is from DT

There you can see that in the right picture, the semicircle is deliberately drawn wrongly.  

Returning to the upside down picture. The red part is in position to fall and the blue part shows it’s in the fallen position. I compared the lengths of the red and blue portions and they are equal.  But the blue portion finishes just up to the limit of Bessler’s original circle, shown by the black dot at its end. This supports the idea that the pivot must be able to move sideways to bring the weight up to the edge of the green circle.

As I said earlier, extending the lever will not work, the pivot point has to move. The following picture will show the structure of the mechanism which moves the pivot along with its lever and returns it at the correct moment in rotation. The long green rod is supporting the moving pivot and is able to move through an arc.  On the end of this rod is the weighted lever or pendulum that we have seen moving from an almost upright potion, 18 degrees from the radius, through 90 degrees to land on the edge of the wheel some way back close to the following radius.

The purple lever has a purple round weight on the outer end. It’s mass/weight is mainly carried by the green lever, which is anchored close to the axle.

The dark blue lever with the round purple empty weight shows roughly where the weighted lever would be if fully retracted.  It’s pivot point is close to the same point on the end of the green lever where it joins the purple one.

POST SCRIPT

Obviously this document is abbreviated to accommodate a complex explanation and some not-so-good illustrations.  There are a number of graphic clues I could add, plus of course I’ve omitted all reference to the Toys page.

I have posted the simplest design but there are other, possibly better ones which I’m going to post later in January.  The most important clue in my opinion, is the:-

Bessler-Collins Connectedness Principle

At the moment I don’t know if it’s the same as Bessler’s but I think it must be because it might be the one reason why so many designs have failed so far.

Why the odd number of mechanisms was required has always been obvious to me and I’ve never understood why it seemed as though nobody else agreed with me.

PS. I forgot to add this alternative design with double scissors to make the weight easier to reach further back along the wheel edge. I also connected the green lever to the wrong point on the double scissors.

There are some convincing clues in support of the above design, relating to his name.

JC

Copyright © 2024 John Collins

Johann Bessler aka Orffyreus and Numerology

There has been much written about Johann Bessler and how he may have used numerology.  I haven’t found any evidence that he did use it, although he may have been more interested in gematria.

He used alphanumerics to provide clues but they only led to further encoded clues. To get his pseudonym, Orffyreus, derived from his name Bessler, he used albam, a simple alphabetic substitution cipher originally used by Hebrew scribes to disguise the names of certain people they mentioned in their writings. Later it was known as the Caesar shift cipher used by the Romans. Today we refer to it as ROT13

He also used numbers in his drawings to achieve a certain total which would reveal a geometric design. He was fascinated by chronograms and produced numerous examples.  In an ordinary sentence he used certain Roman numerals which could be obtained from letters of the alphabet, to provide dates.

He used other codes but nowhere to my knowledge does he even hint at numerology. I see that , ‘the English word numerology is of recent origin, coming into existence around 1910 A.D. (dictionary.com). It is a combination of the Latin word "numerus," meaning numbers, and the ending "logy," which is used to designate the study or science of something. The definition of numerology, therefore, is the general study of numbers.”

I looked briefly into numerology and although it is a popular among some people it is generally regarded as a superstition. This is one reference among many that read,

‘ Actually the numerology I use is based on origins of the contemplations of philosopher Pythagoras back in ancient Greece. He was not just a mathematician, but looked at what was behind numbers. The study of the vibration and effect of numbers is in the Bible (like in the Kabbalah), and pondered by philosophers, theologians and scientists way back in time. The actual onset of modern numerology, where each number has a certain meaning and the letters of the alphabet is assigned to a certain number, has most probably become standardized into a system in mid 1800s. Pythagoras and Chaldean methods are the most popular systems.”

I’m not expressing an opinion on numerology, just that I remain sceptical, but I would be delighted to be provided with proof of its efficacy. This would be nigh on impossible because all results could be coincidental. The interpretation of names, dates of birth and astrology are all in the same grouping along with religious belief systems - a matter of personal conviction.

So if modern numerology only became established in the mid 1800s it seems unlikely that Bessler would have used it. Gematria, on the other hand seems a more likely system used by Bessler. According to Wikipedia, ‘ an alphanumeric code  of assigning a numerical value to a name, word or phrase based on its letters. A single word can yield multiple values depending on the cipher used.’.

It is clear that Bessler was familiar with the albam/atbash system used by the Hebrews and therefore other alternative but similar systems, too complex to deal with here but certainly studied by Bessler, in my opinion. But even acknowledging his personal knowledge of such systems, there seems little of value in deciphering his works to try to get additional meanings from them. Such techniques reveal themselves as nonsensical words.

There is one place where such elaborate methods might hide meaningful information and that is within the ‘Declaration of Faith’, in Apologia Poetica, chapter 55. There he presents about 141 Bible verse references with differing abbreviations, and quotations for verses a few of 

which seem not be found. For more information about my own attempts to decipher its hidden meaning visit my web site at http://www.orffyreus.net/

I think that numbering his fingers etc, in aid of a numerological interpretation is a road to nowhere.  The gesture itself may be designed to send a message, but perhaps it was just another example of Bessler’s delight in adding mystification to engender curiosity in the genuinely encoded material.

JC

Update

I received an email yesterday asking for any details of the wheel's construction, which I felt able to share with the writer. This is something that happens frequently and I can't blame people for asking, because I keep saying that I know a lot about how the wheel works. I am finding this a really difficult problem to handle because part of me wants to share what I know and the other part wants to be the first to succeed in reconstructing Bessler's wheel.

I know there are some among our fraternity who think I should share it regardless of my own wishes, because this invention could be so valuable to the planet right now. So I'm going to try to satisfy both sides of the arguement. My intention is to continue to finalise publication of my book (which will contain everything I know about the wheel) while at the same time I will continue to experiment with my prototype. Which ever I finish first will determine which action I then take. If the wheel works (please!) before the book is ready, then publication of the details of the wheel will follow; if the wheel doesn't work then publication of the book will follow. The book will be published later anyway, so either way I will share everything soon.

I read the many posts which are published daily on several different forums and I am constantly amazed that no-one else appears to have discovered what I have, about the concept of a gravity wheel. I first realised the truth about them a few months ago, last year in fact. Since then I have performed a number of very simple experiments which prove the principle. Knowing how it works has proved easier than devising a system that fulfills the concept, but with Bessler's help I believe I shall succeed soon. I'm hampered by my lack of skills and equipment but fortunately the design is very simple and should not prove too difficult for me to accomplish.

I know that there are kind souls out there who would jump at the chance to help out here but I am determined to finish this thing myself, if I can.

Rereading the paragraph above, about my surprise that no-one else appears to have reasoned out the concept as I have, I realise that there may well be people out there who have in fact worked it out too, and are currently engaged in the same process as I am, namely the reconstruction of Besssler's wheel. So may the best man win!

JC