If not gravity-driven then what else drove Bessler's wheel?

I'm continually surprised that Bessler's wheel is still regarded as a fraud.  52 years ago (approximately) I read the maid's account of how she supposedly turned the wheel and I immediately knew it was wrong.  How could a piece of mechanism turn the twelve foot wheel through the bearings?  How could it reach a top speed 26 RPM in just three turns?  How was such a mechanisms hidden in open bearings? How was it hidden during the change over from one set of bearings to another? If it was a fraud and the maid was simply mistaken or fooled into thinking that was how it was done , how else could it have been done?

Which leads us to pondering what force was accessable internally which could be used to turn the wheel?  I have seen the suggestions of ambient temperature changes and I dismiss it with the same gut feeling I originally had when reading about the maid's version of events. Later consideration only added weight to my original conviction that it would not do. I am convinced, satisfied and know that it could only have been gravity supplying the weights with the necessary force and therefore energy.

Instead of shooting us gravity-driven wheel proponents down, I wish the shooters would offer alternative theories which were at leastt as acceptable as the gravity-only ones.  We need theories which offer the same quick response, allowing speedy acceleration of the wheel.  My personal belief is that there isn't one, but if people wish to dismiss gravity-driven wheels and yet find no fault in my argument that the wheel was not fraudulent, then they must offer some kind of suggestion of what force would suffice.  It's no good saying that the wheel was genuine but gravity cannot be used in this way but they can't think of anything else.

It's as clear as daylight to me that gravity provided the energy source, Bessler said so too, and there is no alternative anyway.

JC

Don't assume everything on the internet is correct - it ain't!

The internet is a wonderful source of information but the problem with it is that incorrect information can be spread as easily as the correct stuff.  My work on writing the new book on Bessler is proceeding well and I have tried to ensure that all the information in it is correct, however in the course of double-checking everything some inaccuracies are inevitably found.

In my first version of Bessler's biography I wrote during my research, I had come across no less than three accounts written over a period of some fifty years or more, which all use the same argument in support of their author's contention that Orffyreus was a fraud. They explain away Professor 'sGravesande's belief in the wheel in the following manner. I will quote from the latest account which uses very similar words to the two previous ones. Arthur W.J.G. Ord-Hume's book is called "Perpetual Motion - The History of an Obsession". After describing the examination of the wheel at Kassel by 'sGravesande, the author remarks;

'The Professor certainly seems to have had some measure of faith in the wheel and the demonstration of its ability to turn without apparent external force. We ought not to forget, though, that it may have proved easy to dupe an honest old man whose confidence in humanity was probably unbounded . . . .It is not recorded whether the aging academician ever received a reply to his letter to Sir Isaac Newton.'

As this argument attempted to cast doubt on the professor's competence to decide whether the machine was valid or not, it was important to check his age. If he was elderly, then his capacity as a valuable witness was potentially impaired. In fact, this 'honest old man', this 'aging academician' was born on the 26th September 1688, which means that at the time of the Kassel examination he had reached the grand old age of thirty-three! He lived for over another twenty years, dying in 1742. In 1730 he was described as one of the great luminaries of scientific experimentation at Leiden University, possibly the foremost University of the age. His lectures drew the biggest crowds of students. This does not sound like a man of failing intellectual powers, and he was certainly one who could form an opinion based on the evidence in front of him, which others could rely on as accurate. He would not have upset Orffyreus so much if he had not had the courage to ask the most searching questions concerning the Kassel wheel. The argument that he was old and gullible is invalidated.

It has also been pointed out that I did not include anything about Frank Edwards, "Bessler's Wonderful Wheel", 1956, in which he gives an account of Bessler's wheel.  I omitted it because it contains information which is just plain wrong.  One could kindly call it Poetic Licence, but it is misleading.  According to Edwards,  "When the oiled cloth was stripped away, said Count Karl, he found himself gazing upon a very simple arrangement of weights and levers. Orffyreus explained that he had conceived a system whereby the weights one side of the wheel were farther from the axle than the weights on the other side of the wheel, creating an imbalance which caused the wheel to move. The secret, if there was a secret, lay in the ingenious manner in which the weights on the ascending side of the wheel were prevented from following their normal path next to the rim. Count Karl said that these weights were blocked by small pegs which swung back out of the way as the weight passed the zenith."  There is no documentary evidence to support this account and anyway it does not fit with Karl's recorded actions - it is wrong and that is why I originally left it out, however  have included it in the new book if only to correct the information being published.  Edwards includes a numerous other mistakes such as Christian Wagner being called Claus Wagner for example

But there are still factual errors being posted on the interner and copied and pasted on other websites.  For example in the Gera certificate one of the signees is called Christian Lange and on one website it states that he was Bessler's cousin.  This is not true, Bessler's cousin was Detter Langer, but obviously this was due to a simple misreading of the text, but it has been copied to two other web sites to my certain knowledge. In addition this same website has stated that another signee, Johann Georg Pertsch is described as a professor at University of Helmstedt, however he didn't graduate until 1716 and was only 18 in 1712.  The correct man was his father of the same name and was never a professor and he did not attend University of Helmstedt.  An easy mistake to make but it could lead to confusion.

There are numerous errors on the internet and I have tried to right those relating to Bessler and I hope that when my new book does finally appear it will be error free.  But these little mischiefs do creep in and along with typos and spelling mistakes, are the author's bête noire.

My granddaughter wants me to include this clever little trinket, 

"Don't let 'assume' make an 'ass' out of 'u' and 'me'".

JC

Would My Book Make A Good Movie?

Another emailer asking me if I am doing anything about getting the book made into a movie, following the Italian docuemntary.  Because I think the story of Bessler would make a good movie, I did some research and this is what I found.

It seems that about half the movies made in Hollywood are adaptations of stories that originally appeared as novels, nonfiction books, comic books, short stories, plays, poems, or what have you. Hollywood studios and production companies aggressively scan major magazines and the lists of New York publishers looking for books and stories that would make good feature films or television shows. If Random House or Harper Collins or some other “major” house published your book, chances are that a professional “reader” has already read your book and written a short memo (called “coverage”) assessing its movie potential. 

If your book was self-published, or published by a smaller press or University press, it’s less likely that a Hollywood “reader” has assessed its movie potential. Hollywood is usually interested in making “big,” popular, commercial movies with wide appeal, so they scan publishers’ lists looking for big, popular commercial books. If your book received unfavorable coverage, or if it was published by an obscure press, then it is unlikely that merely submitting your book to Hollywood studios or talent agents will interest them in its movie potential. Someone (usually you or a producer) will have to show them the movie hidden within the pages of your book, if it’s there.

Given the above state of things I sought information on these professional "readers" and I found that they are difficult if not impossible to contact.  It's easier if you have a contact in the movie business but even then they may not see the story as a movie in the way you can.  Still the best way is the get a literary agen to sell it to a publisher and then let him approach Hollywood.

Ah well, back to the computer and the manuscript.

JC

The Italian Documentary "Moto Perpetuo" is finished and I've seen it.

I have just watched the Orffyreus documentary by FarmStudio Factory and I have to say ...it's brilliant!  They have used virtually all the information from my book, "Perpetual Motion;An Ancient Mystery Solved?" and they have made good use of some ingenious graphics and animations.  It has included some shots of me talking but fortunately they have added a voice-over in Italian so you don't hear me umming and erring!  It is shot in a subtle golden glow which gives it an olden-day nostalgic atmosphere, but there are also some moody shadowy scenes too.  I love the Italian commentary - its poetry! Pity I don't speak it, although I was able to follow it in a vague way.

There are three 'experts' interviewed but I have no idea what they were saying or even if they were in agreement with my own views but it doesn't matter as long as more people become aware of Bessler and his work.

I have suggested that they make a version with English subtitles or possibly with an English voice-over but I think they'll do what they want and probably take no notice of me.  I have a copy of the documentary for my own use but I have signed a document agreeing not to share it with anyone, and I dare not violate our agreement. Even if I did share it, it's in Italian so unless anyone understand it they won't know what's happening.

I'll post something when I know when it's going to be aired.

JC