This is a general update on my efforts to decipher Bessler's codes.
Everyone is surely familiar with his first code which involved using the simple substitution cipher from the Hebrew 'atbash' system to convert his name, Bessler, to Orffyre, and thence to Orffyreus. He intended future researchers to ask why he did this and provoke them into looking for further examples in the rest of his publications. His second example included the drawing of his wheel which he published in his first book, 'Gruendlicher Bericht'. The drawing contains a number of extremely clever clues, but the first and most easily found is the hidden pentagram defined by the rope passing behind the right hand wheel. There are a numberof numerical clues included as well as evidence of the use of the Golden Mean or Golden ratio, 1.618. This was produced before his most intriguing work his Apologia Poetica, which was published between 1716 and 1717. At the bottom of the page Bessler writes the date of publication as 1716, two dashes and 1717. The dashes could be construed as just decoration, however the existence of several more similar dashes in part two of Apologia, suggests that the blanks represent the word ‘zu’ which means ‘to’. Adding together the 17, 17, 17 and 16 totals 67. add the u/v from zu which represents 5 and you get 72, the main pentagon number; 5 times 72 =360. The coded information which litters this work is so numerous and varied that it would seem impossible that no one has so far deciphered at least some of it.
In this publication (AP) there are the numerous 'ec's which in the Fraktur font look like 'x's. 'ec' stands for et cetera in German printing, but still their sheer ubiquity (684) draws attention to them and seems to be asking us the examine their presence and find out why they are there, since they don't appear at all in his other two publications.
The final page of Apologia Poetica contains a simple diagram which appears to represent the wheel. It too contains a number of ingenious clues which again point to the pentagon. Above this illustration is a quotation from the Bible, in which Jesus asks of his disciple, 'do you still not understand?' Another hint that we should be looking for understanding, and elsewhere Bessler states that the answers can be found in his Apologia Poetica. The quotation itself takes the form of a chronogram. Chronograms were particularly popular in Germany in this period and were often used on buildings to establish the date of their construction. In this case there are several Latin uppercase letters D, I, D, V, C, C, V, V, D and I, from within the quotation, and assuming they also represent Roman numerals, added together they total the figure 1717, the year of Apologia Poetica's publication. The final line of the paragraph contains two blanks as if words had been omitted, but it is simple to add them as the whole book is in rhyming couplets and the missing word, Teufel contains the U/V alternatives which in Roman numerals represents the number 5. The sheer number of encoded 5's, V's or their numeric/alphabetic equivalents such the letter E for being the 5th letter, is so overwhelming that one has to assume that the five and all things associated with it, such as the pentagram, is of prime importance.
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| The abbreviation for et cetera, ec, which looks like x. |
The last Chapter in the first part of Apologia Poetica is numbered 55, no surprise.. It contains 55 rhyming couplets, but just these 55 are rhymed ABAB rather than AABB as the rest of the book. The same 55 verses contain 141 Bible references. Research indicates that these have no relation to their actual quotations and in some cases the verse numbers exceed those actually present in any of the numerous Bible extant at that time. The references consist of the Book, the Chapter and the Verse. My ongoing research indicates that verse number indicates the line in which a coded letter may be found. This implies that the lines must all be numbered up to 220 (55 x 4). However, as I have explained elsewhere, there are four empty lines which will throw the numbering out if the blank lines are not counted.
The bible book quoted has one upper case letter, the first one, and the others are lower case. The first letter can be deciphered using the 24 letter alphabet, and its alphanumeric equivalent. The books are all abbreviated so that there only a few letters indicating which book is meant. These lower case letter must simply be counted and added to the numerical equivalent arrived at from the first letter. So 'Matt' for 'Matthew' would be M=12, plus 'att' = 3 and therefore 12 plus three equals 15, thus 15th line. As the verse number has already given you the line in question, the Book gives you the position on the line of the required letter. You will see that the abbreviations vary and this is so that each required line can easily be indicated despite the fact that Bessler can only use a limited number of the possible books available, and also because there are more than 24 letters in most of the lines - usually around 30. I have found that some lines require counting from the end rather than the beginning and I am sure there is an indicator which tells us if it should be done this way but so far I have not found it.
There is also an indicator that the letters should be Caesar-shifted back by five, so that the letter 'A' becomes equivalent to the letter 'V' but I'm not sure at this point whether the numerical equivalent is meant or simple the alphabetical substitution.
The so-called 'X's, that I mentioned at the start may indicate a line which contains a letter for deciphering and the possibilities which I have not yet exhausted include equidistant letter sequences (ELS) relating to the number 5 again. I was not aware that this method of encoding information was familiar to anyone in those days, other than in the Hebrew Bible, but it turns out that it was widely used by Francis Bacon and John Dee among others and so it cannot be ruled out.
This blog scarcely scratches the surface of the encoded material and I shall return to the subject at a later date if there is sufficient interest.
JC
10a2c5d26e15f6g7h10ik12l3m6n14o14r5s17tu6v5w4y4-3,’.
