Please Help my Granddaughter Amy Walk Again.

I would like to remind anyone who reads this, about the state of my poor granddaughter, Amy Pohl.  She had a brilliant career ahead of her before she was struck down by the most debilitating of diseases for which there seems little chance of a cure.  But Amy is a real fighter and determined to get well and that is why I'm posting this again, in the hope of maintaining her ongoing treatment at STEPS.

Amy left Winchester University with a first class honours degree in primary education.  But as she was entering her 3rd year of teaching at Rugby Free primary School, in December 2017, something happened that changed Amy's  life dramatically.

From a failed cannula in her left hand, inserted to provide routine treatment for a nasty cough (adult croup) she developed Complex Regional Pain Syndrome (CRPS) and subsequently Functional Neurological Disease (FND).

Amy has spent the majority of her time since then in hospital, recently in a neurological ward at University Hospital Coventry and Warwickshire (UHCW).  She has no use in her left hand and suffers constant pain in that arm, neither can she use her legs.  She is unable to sit unsupported, and suffers from Post Traumatic Distress Disorder (PTSD) too.

UHCW was unable to offer any treatment other than maintaining her general health, but the side effects of her illness have caused her condition to deteriorate and without specialist care would continue to do so.

Following extensive research by everyone in the family it was decided that a new clinic which had opened a couple of years earlier might be able to offer Amy a chance to recover and she was transferred to STEPS Rehabilitation, Sheffield.  It looks as though it will prove to be a turning point in her path towards recovery.  This transfer was made possible by some limited Government funding thanks to huge pressure from Amy's family and her local Member of Parliament (MP) Mark Pawsey.

STEPS provides a very comprehensive treatment regime 7 days a week and Amy is making steady progress. It is clear, however, that this is just the start of a long journey and at over £5000 per week, it certainly isn't cheap.

I started Amy's crowdfunding page to try to raise enough funds to pay for Amy's treatment and it has almost reached its target of £40,000. So many people have kindly donated money and we cannot sufficiently express our gratitude, but of course the money raised so far will run out before Amy's treatment has allowed her to stand by herself and walk again, so we implore all who read this to donate to her fund or share the campaign via your social media accounts.

Our daughter, Jo, (Amy's mother), was diagnosed with cancer (stage 4 non-hodgkins  lymphoma), which resulted in her being in UHCW at the same time as Amy.  After several months of the strongest chemo available and radiation therapy (because she was young enough to survive it!) she emerged thinner, weaker but in remission.  Jo and her husband Dave have devoted themselves to finding the latest information on dealing with Amy's condition, but finding time to visit Amy who is in Sheffield, about 100 miles away, puts an enormous strain on both of them while they continue to carry on with their demanding jobs.  We (my wife, Sandra and I) try to visit Amy as often as possible but because of her tough regime Amy cannot receive visitors until after seven in the evening.

Any donations no matter how small and/or sharing the web sites with the social media would be very much appreciated.

Here are the links to her web sites, the HelpAmy web site, HelpAmy

Amy's crowd funding site gofundme.com

Lots of news there with videos and photos of Amy and her family and friends

Thanks to all of you for reading this.

JC

The Legend of Bessler’s Wheel and the Orffyreus Code

My apologies to all, I accidentally deleted my post about my progress on reconstructing Bessler’s wheel!  I lost all the comments too, and that is, I think, the first time in nine years that has happened, I’m so sorry but I can’t get it back.

PS Thanks for the quick action by anon, he recovered my lost post and has published it in the first comment below this one.

I’m posting the Legend of Bessler’s wheel again because I’m going to be working hard on finishing my reconstruction of Bessler’s wheel.  It’s been a busy year with little time to spend in my garage where the build should have been happening, but time is racing by and I must concentrate on finishing the job.  My apologies for promising fewer blogs but the sooner I finish it the sooner I can publish everything.


Please feel free to comment if you wish and I will try to check back daily. So here it is again, 


                                              The Legend of Bessler's wheel.

On 6th June, 1712, in Germany, Johann Bessler (also known by his pseudonym, Orffyreus) announced that after many years of failure, he had succeeded in designing and building a perpetual motion machine.  For more than fourteen years he exhibited his machine and allowed people to thoroughly examine it.  Following advice from the famous scientist, Gottfried Leibniz, he devised a number of demonstrations and tests designed to prove the validity of his machine without giving away the secret of its design.


Karl the Landgrave of Hesse permitted Bessler to live, work and exhibit his machine at the prince's castle of Weissenstein.  Karl was a man of unimpeachable reputation and he insisted on being allowed to verify the inventor's claims before he allowed Bessler to take up residence  This the inventor reluctantly agreed to and once he had examined the machine to his own satisfaction Karl authorised the  publication of his approval of the machine.  For several years Bessler was visited by numerous people of varying status, scientists, ministers and royalty.  Several official examinations were carried out and each time the examiners concluded that the inventor's claims were genuine.


Over several years Karl aged and it was decided that the inventor should leave the castle and he was granted accommodation in the nearby town of Karlshaven. Despite the strong circumstantial evidence that his machine was genuine,  Bessler failed to secure a sale and after more than thirty years he died in poverty.  His death came after he fell from a windmill he had been commissioned to build.  The windmill was an interesting design using a vertical axle which allowed it to benefit from winds from any directions.  


He had asked for a huge sum of money for the secret of his perpetual motion machine, £20,000 which was an amount only affordable by kings and princes, and although many were interested, none were prepared to agree to the terms of the deal. Bessler required that he be given the money and the buyer take the machine without viewing the internal workings.  Those who sought to purchase the wheel, for that was the form the machine took, insisted that they see the secret mechanism before they parted with the money. Bessler feared that once the design was known the buyers could simply walk away knowing how to build his machine and he would get nothing for his trouble.


I became curious about the legend of Bessler’s Wheel, while still in my teens, and have spent most of my life researching the life of Johann Bessler (I’m now 74).  I obtained copies of all his books and had them translated into English and self-published them, in the hope that either myself or someone else might solve the secret and present it to the world in this time of pollution, global warming and increasingly limited energy resources.


For some ideas about Bessler’s code why not visit my web sites at www.theorffyreuscode.com

On 6th June, 1712, in Germany, Johann Bessler (also known by his pseudonym, Orffyreus) announced that after many years of failure, he had succeeded in designing and building a perpetual motion machine.  For more than fourteen years he exhibited his machine and allowed people to thoroughly examine it.  Following advice from the famous scientist, Gottfried Leibniz, he devised a number of demonstrations and tests designed to prove the validity of his machine without giving away the secret of its design.


This problem was anticipated by Bessler and he took extraordinary measures to ensure that his secret was safe, but he encoded all the information needed to reconstruct the machine in a small number of books that he published. He implied that he was prepared to die without selling the secret and that he believed that post humus acknowledgement was preferable to being robbed of his secret while he yet lived.


It has recently become clear that Bessler had a huge knowledge of the history of codes and adopted several completely different ones to disguise information within his publications.  I have made considerable advances in deciphering his codes and I am confident that I have the complete design.


Johann Bessler published three books, and digital copies of these with English translations may be obtained from the links to the right of this blog.  In addition there is a copy of his unpublished document containing some 141 drawings - and my own account of Bessler’s life is also available from the links.  It is called "Perpetual Motion; An Ancient Mystery Solved?"  Bessler's three published books are entitled "Grundlicher Bericht", "Apologia Poetica" and "Das Triumphirende...". I have called Bessler's collection of 141 drawings his Maschinen Tractate, but it was originally found in the form of a number of loosely collected drawings of perpetual motion designs. Many of these have handwritten notes attached and I have published the best English translation of them that I was able to get. Bessler never published these drawings but clearly intended to do so at some point.


JC 

New insight into Kreuz AP passage

After I posted a previous blog about the passage in Apologia Poetica in which Bessler discusses the use of crossbars in his machine I sought some further insight into the text.  In the translation which  I published in my biography of Bessler, he seems to be saying that when he first built his machine he used one crossbar but the wheel barely moved.  He then tells us that when he added more crossbars, plus weights, pulleys and cord, the wheel spun more quickly.  However I have studied the original German text and there are some interesting aspects to it which I think help explain what Bessler wanted us to understand from it.

The first thing I always thought odd was the addition of more weights pulleys and cords in the second part of the passage.  It seemed to me that  they should have been included with the first reference to crossbars.  Then he could have said that more of each were needed.  My initial conclusion was that Bessler was informing us of the presence of crosses i.e, part of a scissor mechanism, which I still think he was, but also of weights, pulleys and cords.  However subsequently I considered that there were two or three pieces of information being presented within one piece of text, using a trick he has used elsewhere.

My translator thought that ‘crossbar’ was the word Bessler intended, and there has been much discussion about whether he actually meant ‘cross’ and not ‘crossbar’. The word ‘cross’ could suggest a design using the shape of a cross, in other words four equal divisions within the wheel. However I discovered a word which one might gloss over but which gives us a clue to his thinking.

So a closer study of the words he used reveals more information than one might get at first.  This is my latest interpretation.  The first words below are from my original version of Apologia Poetica, Part 2, XXXIII

"If I arrange to have just one cross-bar in the machine, it revolves very slowly, just as if it can hardly turn itself at all, but, on the contrary, when I arrange several crossbars, pulley and weights, the machine can revolve much faster, and throw Wagner's calculations clean out of the window!"

Now my new interpretation using equally acceptable alternative words:

"So in an  earlier work, I used just (or only) a (or one) cross, so to speak (or as it were),

"So you will see it, is very slow and hard to turn around by itself; On the other hand, (or whereas) if I added more crosses, pulleys and weights, then the device can run much faster;"

The word used in the German text is
 Gleichsam = so to speak, or as it were.  
 In the English dictionary, .
(definition of 'so to speak' = so to speak to draw attention to the fact that you are describing or referring to something in a way that may be amusing or unusual rather than completely accurate)

With his first use of the word "Kreuze", he is saying that it is like a cross.  In the second part he is saying, add these other parts, as well as more crossbars....... but he doesn't mean crosses.  This is why the first use of the word Kreuze, is separate from the second use.

I believe his intention in the first use of the word "kreuze" was to confirm the need for five mechanisms and not four.  So the first part is saying if you use four mechanisms the wheel will hardly turn, but if you use more by adding additional crossbars to the four you already have, then the wheel will turn fast.

So there are potentially three pieces of information; firstly, is that there needs to be more than four  mechanisms; secondly, there is a portion at least of the scissor mechanism involved, and thirdly, he tells us that we need to add more crossbars, weights, pulleys and cord.

JC

Karl’s New Year Card

Following a question abut Karl's birthday card I decided to post images of the only item I have which I assumed the posted comment referred to.  Although I have had this item for many years I have never attributed anything of significance to it although it is a curious document.

I contains large number of Chronograms each of which seem, as far as I have investigated, point to a particular year, usually the one in which the item is inserted.  Each one has a bible reference attached which I assume contains the quotation that Bessler used.

That is all I can say about the document but I am curious to know if anyone else sees more within it that is apparent to me.  It will be useful to post it here for anyone to return to should the need arise.

I was unable to arrange them in a more compact manner so they are central but in order from first page to last, top to bottom. Clicking on each page will give you a large version.

Doubtless you will notice the curious coincidence of the last part of the last page referring to this year 2019.

JC

The Legend of Bessler’s Wheel and the Orffyreus Code

I’m posting the Legend of Bessler’s wheel again because I’m going to be working hard on finishing my reconstruction of Bessler’s wheel.  It’s been a busy year with little time to spend in my garage where the build should have been happening, but time is racing by and I must concentrate on finishing the job.  My apologies for promising fewer blogs but the sooner I finish it the sooner I can publish everything.


Please feel free to comment if you wish and I will try to check back daily. So here it is again, 


                                              The Legend of Bessler's wheel.


Karl the Landgrave of Hesse permitted Bessler to live, work and exhibit his machine at the prince's castle of Weissenstein.  Karl was a man of unimpeachable reputation and he insisted on being allowed to verify the inventor's claims before he allowed Bessler to take up residence  This the inventor reluctantly agreed to and once he had examined the machine to his own satisfaction Karl authorised the  publication of his approval of the machine.  For several years Bessler was visited by numerous people of varying status, scientists, ministers and royalty.  Several official examinations were carried out and each time the examiners concluded that the inventor's claims were genuine.


Over several years Karl aged and it was decided that the inventor should leave the castle and he was granted accommodation in the nearby town of Karlshaven. Despite the strong circumstantial evidence that his machine was genuine,  Bessler failed to secure a sale and after more than thirty years he died in poverty.  His death came after he fell from a windmill he had been commissioned to build.  The windmill was an interesting design using a vertical axle which allowed it to benefit from winds from any directions.  


He had asked for a huge sum of money for the secret of his perpetual motion machine, £20,000 which was an amount only affordable by kings and princes, and although many were interested, none were prepared to agree to the terms of the deal. Bessler required that he be given the money and the buyer take the machine without viewing the internal workings.  Those who sought to purchase the wheel, for that was the form the machine took, insisted that they see the secret mechanism before they parted with the money. Bessler feared that once the design was known the buyers could simply walk away knowing how to build his machine and he would get nothing for his trouble.


I became curious about the legend of Bessler’s Wheel, while still in my teens, and have spent most of my life researching the life of Johann Bessler (I’m now 74).  I obtained copies of all his books and had them translated into English and self-published them, in the hope that either myself or someone else might solve the secret and present it to the world in this time of pollution, global warming and increasingly limited energy resources.


For some ideas about Bessler’s code why not visit my web sites at www.theorffyreuscode.com

On 6th June, 1712, in Germany, Johann Bessler (also known by his pseudonym, Orffyreus) announced that after many years of failure, he had succeeded in designing and building a perpetual motion machine.  For more than fourteen years he exhibited his machine and allowed people to thoroughly examine it.  Following advice from the famous scientist, Gottfried Leibniz, he devised a number of demonstrations and tests designed to prove the validity of his machine without giving away the secret of its design.


This problem was anticipated by Bessler and he took extraordinary measures to ensure that his secret was safe, but he encoded all the information needed to reconstruct the machine in a small number of books that he published. He implied that he was prepared to die without selling the secret and that he believed that post humus acknowledgement was preferable to being robbed of his secret while he yet lived.


It has recently become clear that Bessler had a huge knowledge of the history of codes and adopted several completely different ones to disguise information within his publications.  I have made considerable advances in deciphering his codes and I am confident that I have the complete design.


Johann Bessler published three books, and digital copies of these with English translations may be obtained from the links to the right of this blog.  In addition there is a copy of his unpublished document containing some 141 drawings - and my own account of Bessler’s life is also available from the links.  It is called "Perpetual Motion; An Ancient Mystery Solved?"  Bessler's three published books are entitled "Grundlicher Bericht", "Apologia Poetica" and "Das Triumphirende...". I have called Bessler's collection of 141 drawings his Maschinen Tractate, but it was originally found in the form of a number of loosely collected drawings of perpetual motion designs. Many of these have handwritten notes attached and I have published the best English translation of them that I was able to get. Bessler never published these drawings but clearly intended to do so at some point.


JC

Kreuz Means the X in Storksbill/Pantograph.

In a recent blog I posted a small coded clue, thinking that if anyone had a go at it they would need help in solving it.  Wrong!  One anonymous person got it quite quickly.  The clue was  an anagram, which looked like this.  “Karl’s next mobilizers sunk.”

The solution was this, “kreuz means x in storksbill"

Check this earlier blog

Friday, 10 November 2017

Johann Bessler's so-called Cross-Bars

So what does this mean?  When I published Apologia Poetica my translator suggested Kreuz meant crossbar, as there were literally dozens of potential meanings available depending on the required meaning and he could not think of anything more suitable. But actually the basic translation is “cross”.  Knowing Bessler’s propensity for offering clues which are vague or have more than one meaning and with no apparent reference to other things, it took me a while (about 30 years!) to make the connection.  The X's also known as “crosses” are a basic component of the famous “storksbill” or “pantograph”. Some shown in red and some in yellow as below.

When Bessler says that when he used just one cross, the wheel scarcely moved (paraphrased) but when he added more it turned, he simply meant that you needed more than one. 

This seems to me to suggest that although the pantograph mechanism was used, it was a small part not requiring a lengthy travel, just more than one link. He possibly designed it as one rectangle without an X to begin with and then adapted it as he saw fit. 

He also takes the opportunity to throw in the information that he used cords and pulleys as well as weights. If you study my version of the “Toys” page (first published here on Wednesday, 16th January 2013) you will see that I've divided each component of 'A' into five equal parts.  The divisions run across the page to include the scissor mechanisms.  The line including the top of 'A' and 'B' division includes three pieces of scissor mechanisms, but only two complete X's.  This I believe was done because he identified the parts of the scissor mechanisms with the X for purposes of confusion, but although there are three complete pieces of scissors, there are only two X;s, hence the suggestion he needed more than one.

Note the inherent suggestion that there are only five mechanisms required, as claimed by myself and hinted elsewhere and everywhere in Bessler's work.

JC.

Fabricate Not Simulate....Again.

I know I’ve posted on this subject before but I've always maintained that the only way to solve the problem of Bessler’s wheel is to try to build it and not to try and do it with computer simulations alone. If I was a betting man I would wager that Bessler’s wheel will not be discovered without a build, a working model.  I don’t just mean that a working model is essential in proving your solution works, no what I mean is, all those who design through simulations alone will not succeed in finding the solution.  The reason why is clear to me and has been amply proven (to myself) several times over.

For instance I believe I have had the solution to Bessler’s  wheel for several months but knowing how it was done and discovering how to make it work, in the flesh so to speak, is another matter altogether.  You see I had the design down pat and I manufactured the pieces and put them together and for reasons I didn’t understand at first, one part of the mechanism I made simply would not move according to the way I wanted it to do.  The action was wrong. It was close but not close enough.  I made numerous alterations to try to correct its action but I could not get it right.  I searched through Bessler’s works and eventually I found the answer in the ‘Toys’ page.  The answer was in front of me for years and years, but I had thought it was a clue to another part of the mechanism.  The part I thought it applied to had already been shown with the correct information in another place. So this particular part shown in the ‘Toys’ page revealed the correct alteration to the mechanism and as soon as I made the changes it worked in accordance with my design intentions.

The point I’m making is that I would probably never have thought of the adjustment if I hadn’t interpreted it correctly in the end, thanks to the particular feature on the ‘Toys’ page.  But if I had simulated it without a prior build I might have assumed that my design was right and very likely it would have been rejected. Or perhaps the simulation would have approved the design, wrongly, but then a working model would have failed. So even though I might simulate my design and it either proved I was right, or proved I was wrong, I would not have discovered that the mechanism was wrong until I tried to build a proof of principle machine. Through building your design you learn and discover new designs, new concepts, think through to new angles and even that old favourite, think outside the box.

Discovering that the mechanism would not act correctly did not put me off because I knew that the basic concept was right and that some kind of alteration or addition was needed to make everything work together.  I tried several variations to bring the mechanism under my control but I didn’t think of the one thing which would have worked.  Bessler seems to have provided hints for every obstacle encountered along the way, but obviously it will only help those who build.

NB - I haven't finished building the  wheel yet,

JC

Johann Bessler and the Orffyrean Code

I’m posting the Legend of Bessler’s wheel again because I’m going to be away for a few days.  I’ll respond to any comments as and when it’s possible. My work on my wheel will get on faster when I return and with any luck I’ll finish it soon.

Please feel free to comment if you wish and I will try to check back daily. So here it is again, 

The Legend of Bessler's wheel.

On 6th June, 1712, in Germany, Johann Bessler (also known by his pseudonym, Orffyreus) announced that after many years of failure, he had succeeded in designing and building a perpetual motion machine.  For more than fourteen years he exhibited his machine and allowed people to thoroughly examine it.  Following advice from the famous scientist, Gottfried Leibniz, he devised a number of demonstrations and tests designed to prove the validity of his machine without giving away the secret of its design.

Karl the Landgrave of Hesse permitted Bessler to live, work and exhibit his machine at the prince's castle of Weissenstein.  Karl was a man of unimpeachable reputation and he insisted on being allowed to verify the inventor's claims before he allowed Bessler to take up residence  This the inventor reluctantly agreed to and once he had examined the machine to his own satisfaction Karl authorised the  publication of his approval of the machine.  For several years Bessler was visited by numerous people of varying status, scientists, ministers and royalty.  Several official examinations were carried out and each time the examiners concluded that the inventor's claims were genuine.

Over several years Karl aged and it was decided that the inventor should leave the castle and he was granted accommodation in the nearby town of Karlshaven. Despite the strong circumstantial evidence that his machine was genuine,  Bessler failed to secure a sale and after more than thirty years he died in poverty.  His death came after he fell from a windmill he had been commissioned to build.  The windmill was an interesting design using a vertical axle which allowed it to benefit from winds from any directions. 

He had asked for a huge sum of money for the secret of his perpetual motion machine, £20,000 which was an amount only affordable by kings and princes, and although many were interested, none were prepared to agree to the terms of the deal. Bessler required that he be given the money and the buyer take the machine without viewing the internal workings.  Those who sought to purchase the wheel, for that was the form the machine took, insisted that they see the secret mechanism before they parted with the money. Bessler feared that once the design was known the buyers could simply walk away knowing how to build his machine and he would get nothing for his trouble.

This problem was anticipated by Bessler and he took extraordinary measures to ensure that his secret was safe, but he encoded all the information needed to reconstruct the machine in a small number of books that he published. He implied that he was prepared to die without selling the secret and that he believed that post humus acknowledgement was preferable to being robbed of his secret while he yet lived.

I became curious about the legend of Bessler’s Wheel, while still in my teens, and have spent most of my life researching the life of Johann Bessler (I’m now 74).  I obtained copies of all his books and had them translated into English and self-published them, in the hope that either myself or someone else might solve the secret and present it to the world in this time of pollution, global warming and increasingly limited energy resources.

It has recently become clear that Bessler had a huge knowledge of the history of codes and adopted several completely different ones to disguise information within his publications.  I have made considerable advances in deciphering his codes and I am confident that I have the complete design. 

Johann Bessler published three books, and digital copies of these with English translations may be obtained from the links to the right of this blog.  In addition there is a copy of his unpublished document containing some 141 drawings - and my own account of Bessler’s life is also available from the links.  It is called "Perpetual Motion; An Ancient Mystery Solved?"  Bessler's three published books are entitled "Grundlicher Bericht", "Apologia Poetica" and "Das Triumphirende...". I have called Bessler's collection of 141 drawings his Maschinen Tractate, but it was originally found in the form of a number of loosely collected drawings of perpetual motion designs. Many of these have handwritten notes attached and I have published the best English translation of them that I was able to get. Bessler never published these drawings but clearly intended to do so at some point.

For some ideas about Bessler’s code why not visit my web sites at www.theorffyreuscode.com

Finally,  I'm repeating the coded clue I left at the bottom of my previous blog. An Anonymous person solved it. It's an anagram and below it is the solution;

Karl’s next mobilizers sunk.
Kreus meams X in storksbill.

JC

Revisiting www.besslerswheel.com, 'kiiking' and Bessler's MT.

In 2010 I updated my web site at www.besslerswheel.com to include what was then my latest thinking about Bessler’s wheel.  Now, thanks to a comment on this blog, almost ten years later I returned to my site to read what I had written back then, and I’m pleased to note that it is not too far from my current thinking in a general sense.  The swinging technique described there was not intended to imply that swinging was a necessary part of the mechanism, but I was looking for clues as to where and when to apply force to the wheel to make it turn and I used the actions of getting a swing started and accelerated to identify the best positions.

I introduced the sport of kiiking from Estonia, which, it seemed to me might have some useful input to the question of how Bessler’s wheel worked. In Estonian, ‘kiik’ means ‘swing’. In kiiking, the swing arms are made of rigid steel to enable a person to swing through 360 degrees passing over the pivot bar of the swing.  The person swinging is fastened to the seat by their feet in order to support them as the swing goes upside down during one complete rotation. In order to swing he (or she) begins to pump it by alternately squatting and standing up on the swing. The swing gains momentum and can rotate right around the pivot bar.  It is a competitive sport in Estonia and the person who succeeds in completing complete revolutions with the longest shafts is the winner.

 

Here is a link to the above town provided by PLMKRN with thanks

https://www.google.ee/maps/@59.4354789,24.7438651,3a,90y,111.62h,117.79t/data=!3m6!1e1!3m4!1sX5PX_yUhCNDf2vJpajZVAQ!2e0!7i13312!8i6656 

 

My theory was very simple, too simple compared to what I now know, but nevertheless I think it was fairly well argued considering it was done over ten years ago.  All the weights weigh the same and there are five mechanisms for reasons I explained on the web site.  Each mechanism has two weights so there are ten in total.  These facts still apply to my current design

But now there are several alterations and additions which include the use of scissor mechanisms, cord and pulleys.  The fact that some of these are included on the 'Toys' page implies that they are required in some way but it is not as straightforward as many have assumed - and it is not as mysterious as others would have you believe. 

In my opinion, fascinating as the Maschinen Tractate (MT) is, it was originally designed as a teaching aid to be used in his Fortress of Wisdom for the education of his young apprentices in the arts and skills required in the local industries of that time.  I believe that the final pieces of information which he had intended to teach to his pupils would include how to build his perpetual motion machine.  So it would have contained full details of how and why it worked. Because of the arrest he was panicked into removing the final pages but I no longer believe that the 'Toys' page was added to replace them, I am convinced that this page was intended to be part of the whole MT.  This document too, originated from a wood cut, therefore it must have been constructed long before the arrest.  He would not have had time to create the wood cut and print it on paper, I can only surmise why he had made that page, but I think Bessler must have intended to include it within his MT, perhaps to tease his pupils with hints and clues.

To me the whole document appears to be the basis for discussion within his classrooms and that is why it includes some obviously incorrect drawings.  He intended to ask his apprentices if they can see why this or that won't work.  So what does the 'Toys' page tell us?  More on that in a future blog, but note that some of the pages in MT are not numbered but have a block ready for a number to be added, except for 'Toys' page.  The preceding page numbered MT137 also has a block but it is too big for just a number so I believe it has a bit more than just a number attached.

Just for fun here is a little clue.  It is well-known, but it has been misinterpreted and is quite important. Unfortunately I have disguised what it says!  

Karl’s next mobilizers sunk.

JC