Those mysterious so-called Xs, which aren’t 'X's!

This post is highly speculative but if it generates some ideas or thoughts, we might get closer to the truth -  if we haven't already got there!

One of the most overlooked peculiarities to be found in Johann Bessler’s Apologia Poetica, is the excessive use of the abbreviation for etc, which I and many others thought were ‘X’s.  Fortunately Stewart, a long time member of the Besslerwheel forum and a keen student of Bessler’s works correctly identified the true meaning of the character.

As he wrote on the Besslerwheel forum back in December 2005,

“The symbol that is found at the end of many of the lines of AP and what we have been referring to as 'X's are in fact two characters (or three if you count the .) and not 'X's at all. The first character is a round 'r' and the second is a. 'c'. Together they make 'rc', the German Fraktur abbreviation symbol for 'et cetera' which in Latin is '&c' and in English is 'etc' and means 'and the rest'. There is a totally different character for 'x' in the Fraktur typeface. This means we should refer to them as 'et cetera's and not 'X's, and anyone looking for an 'et cetera' code should also take into account all the '&c's that follow lines that end with Latin words in AP. “

The fraktur symbol for 'et cetera'.

The so-called 'r rotunda', is  a special character formed from the letter 'r’ and designed to follow rounded letters which allowed the printer or type setter to squeeze in the letter ‘r’ by closing the gap and leaving out the downward stroke of the R.  It does not represent the letter 'r' in this case, as it is simply a glyph derived from the 'r rotunda' and used in this fraktur abbreviation.

Nevertheless, knowing what the character means is only half the solution. Why would Johann place 184 ‘et ceteras’ at the end of so many lines?  He only used a few in Das Triumphirende, two single ones and four doubles  Given that the meaning of the abbreviation is ‘and the rest’ or ‘and so on’ and is usually used at the end of a list to indicate similar items are included and assuming that Bessler’s education included the correct use of the character, why would he even bother to place so many in completely inappropriate places?  He could read and write in Latin and clearly knew that the Latin version used the ampersand, one must conclude that his use of the abbreviation was incorrectly applied.

So why did he do it?  We do know Bessler compulsively used alphanumeric, alphabet substitutions, at-bash ciphers, chronograms, Rosicrucian and Masonic codes, drawings containing hidden information and some more codes of his own devising such as he used in chapter 55 of his Apologia Poetica - so why not offer an additional code which took the form of the et cetera character?  Such a device used as a part of a piece of coded information is typical of the man.  Did he think it looked like an x? Did he think we might be reminded of an x?

Below we can see an example of six lines each with an 'x' at its end, there are more of these but mostly they are limited to one per line and rarely more than one or two per page.  The one below is taken from the page adjacent to page 3.  One could argue that the use of the et cetera in this example is just about acceptable

I should point out that there are several occurrences where he uses two 'X's at the ends of a line, and of course he does so above the two wheel drawings in GB and DT.  See below for an example of double crosses, or 'etc's. (Page 74 second part of AP chapter 34)

Double crosses!

I recently posted some suggestions about his use of the word ‘cross’ as opposed to ‘crossbar’.  I didn’t point out that the word ‘cross’ might not be as suitable as ‘diamond’  to describe the shape, because ‘diamond’ while describing the shape reasonably well didn't do the job as accurately, because the diamond links two half xs whereas the cross is just one.

He tells us that one cross could hardly turn the wheel and more were needed.  He placed the etc symbol in inappropriate places and in large quantities to grab our attention, which it did.  There can only be one of two reasons, in my opinion; either the symbol related to the subject matter in the line, or the clue was in the form of the character it self.

The use of the double crosses in the above example might be for emphasis.  It reads "Here Wagner praises his turn-spit, of which a copper-engraving has appeared, claiming that it is actually a working Mobile".  But he also used numerous 'NB's to give emphasis, so one might conclude that one or the other character is superfluous.  While we are on the subject his overuse of 'NB's forms another clue which i will offer in the near future, again speculation, but interesting.

Despite the excessive use of the fraktur abbreviation for et cetera it is arguable that it is within the limits of acceptability, but if so, why is not present in his earlier non-Latin book, Grundlicher Bericht?

For reasons I will explain later, I believe that Bessler is hinting at the use of the scissors mechanism and suggesting a minimum of two.  Bessler's first two publications made no mention of scissor mechanisms so if he wished to provide a hint that they might be needed, the fraktur abbreviation might just be the clue he offered, however vague it might seem now.  I have no idea if this is a reasonable speculation because I have been unable to find anything which might connect the 'r rotunda' glyph with any kind of code, hidden writing or anything else of a concealed information nature.

BUT, if he did intend us to interpret the symbol as a cross he could not use the letter X as that would be too obvious, so the 'etc' might have seemed a safe substitute

If I'm wrong about the reason for the large number of fraktur 'etc's, then I must accept that they were simply there because Bessler used them incorrectly and was subsequently taught how to use them properly.  Or do they represent some so far identified method of information concealment?

JC