The Italian Orffyreus documentary and the Pentalpha.

RAI, the Italian state owned public service broadcaster who commissioned the "Orffyreus" documentary, have said that FarmStudios cannot send me a DVD of the finished documentary as they don't want anyone outside of production to see it before it's aired, which is fair enough in my opinion. But it does mean that I won't be able to offer copies to anyone for the time being.  Of course should pirated copies appear at some point in the future, then there is nothing one can do about that.  I am to be given a preview in the next few days, so I'll report about it as and when I can.

My current position with the Bessler build is stationary, like the wheels I've built so far!  I've got the flu.  I have a plan mapped out for when I can get back to work and it is looking promising - how many times have I heard myself say that before?  I am still working with the same basic concept which I worked out some eighteen months ago and I'm still convinced that it is the way to go.  It answers all the questions raised and I'm confident it will work.  The mechanisms are complex in a way that would not be obvious to a spectator, such as Karl.  I can see why he described them as simple.  It's one thing to see the finished article and how it works - but quite another to work out how to get it to do what you want it to do, when you don't know the exact design or the dimensions.

In answer to my previous post about the pentagrams and the number 5s, in Bessler's works, I've come to the conclusion he was trying to point us to the alternative word for pentagram, reputedly used by the Pythagorians, which was pentalpha.  Some people think of the pentagram as three interlaced triangles, but others describe it as having five upper case interlocking letter As, and that seem to me to be the more in line with Bessler's thinking. We have seen the interest in the besslerwheel forum in the famous 'A with legs': THE primemover? thread and this supports the idea.

It is well-known that Bessler used alternating letter As throughout his "Maschinen Tractate", sometimes with a straight cross-bar and sometimes with a bent one. He did not do this for any other reason than to point to its importance. I'm sure that this simple lever design is incorporated within the mechanism, and the successful design will require it.  

JC

That ubiquitous number five again, the Freemasons, Alchemy and Hermeticism!

As we all know, one thing that Bessler's codes has thrown up is the frequent appearance of 5, 55 and 555.  I have suggested that it either points to chapter 55 of Johann Bessler's Apologia Poetica - and/or it is a hint that five mechanisms are needed in each direction for the bi-directional wheel.  But nothing is certain and I would not wish to become so dogmatic that I miss an alternative meaning.

I would be the first to admit that the evidence that there were five mechanisms is non-existent, and if I'm wrong, then one must assume that the large number of coded number 5s only points to Chapter 55 in Apologia.  If it is connected with the presence of a coded message hidden in chapter 55 of Apologia Poetica, the evidence for which is undeniable, why did he choose the number 55? Was it chance?  I think the presence of hidden pentagrams, hinting at the same number in all the drawings in other books rules out chance.  He left so many other pointers to that Chapter, within the Apologia, not forgetting the strange list of 141 bible references, that the pentagrams seem to be superfluous.
 
In support of the idea that the chapter number 55 was not the only reason for the presence of the pentagrams, remember that none of the drawings containing the pentagrams appear in Apologia Poetica but rather, in the later publication Das Triumphirende, which came out four years later in a much more professional publication.  if they were pointing to the chapter 55 in Apologia Poetica one would think there would have been included, some kind of link to that former publication, or did he think people would remember the earlier one and make the connection themselves?  Very doubtful, and probably most people would not have even heard of the Apologia, since Bessler had only just started on his journey when it was published.

So the choice to use chapter 55 was deliberate, not chance; the pentagrams while pointing to the chapter 55 are not necessarily exclusively for that purpose, and the need for five mechanisms is not proven.  We are left with the mystery of why 55 and what does it mean?

I did a little surfing on the matter. A random query into google led me to the Washington Monument and its extraordinary measurements.  Now there are a considerable amount of spurious facts attached to this structure and it is hard to distil the truth from them but this is what I believe is correct.

Several heights have been specified, in the past, but the consensus seems to be 555 and half feet and one eighth of an inch.  Let us suppose that the intended height of the Washington monument was meant to be 555.5 feet above ground - that is equal to exactly 6666 inches.  A nice round figure and far more likely to be the right number than some figure plus an 1/8 th of an inch as is suggested.  Mind you, there are reports that the aluminium capstone on top of the pillar has been struck so many times by lightning that it has lost just under half an inch in height which, if we include the important eighth of an inch, would give a height of 555.55 feet!  And that would give us 6666.6 inches!

At ground level the sides are 55.5 feet (666 inches) long.  Ok so there appears to be an obsession with the number 5 (or its inch equivalent, 6) - but why? I'm well aware of the 5's ubiquitous  associations with alchemy, hermeticism, the Kabbala and freemasonry, and in particular the frequent association of the Washington Monument with the Freemasons....but not why that particular number! Yes there are numerous references to the number in freemasonry etc, but no one has come up with any good reason as far as I can tell why the number 5 is so important to them.  The pentagram is the most obvious geometric figure associated with the number five and that seems to have been in Bessler's mind too.  It has links with the planet Venus because the path is (very) roughly pentagonal...so what?  The skull, book and jar in Bessler's portrait also have links to Venus in symbolic art....and to Mary Magdalen...and she too has links to Venus!  We're going around in circles here (sorry!) and perhaps that was intentional. But why five?  What was it that Bessler was hinting at?  If we really knew why the freemasons were so captivated by the number 5, 55 or 555 etc, maybe we could get a glimpse of what Bessler was trying to tell us.

These different features of Bessler's books - the skull, jar and book, the hidden pentagrams, the various encoded 5s - all seem to point towards some kind of arcane belief system, but what it is, I don't know.

I have searched and searched for years and there is nothing of practical use for our purposes to be found in the inclusion of the the number 5, so the 5s are hinting at something else.  But what?

If anyone has any ideas about why Bessler included the number 5s I'd be pleased to know.  I understand, technoguy, your conviction that the design incorporates a pentagram within it - and you may be right, but I don't rule out anything else.

JC

The Orffyreus Code - were others aware of it in the 18th Century?

I passed on my copy of Bessler's 'Das Triumphirende' to a fellow Bessler admirer, David, with some regret, but pleased that he also has an interest in this particular copy. Inside the frontispiece is a label which reveals that the book came from the library of Emmy Destinn, a world famous Czech opera singer (1878 - 1930). Destinn's close links with the Royal Opera House, Covent Garden in London are shared by David, a fine violinist with the same company.

Destinn's talents were many and varied - and not only musical. She also wrote plays, novels, short stories, librettos, and poetry; painted on canvas and porcelain; and translated and composed songs. She wrote her first play at the age of 16, and by 18 had followed that with three more. She spoke five languages fluently and wrote her literary work in Czech and German. But David had the same questions as I had - how did she come to own this particular book?

It seems that at the peak of her career she bought the beautiful castle at Stráž nad Nežárkou in Southern Bohemia. Since she moved in, in 1914, Destinn furnished the castle with a great collection of art, antiques and books on all subjects, bought while touring the world. One might be tempted to think that she acquired a copy of Das Tri during her travels, but in my opinion it is more likely to have been collected by the previous owner, Baron Adolf Franz Leonhardi, a man with a keen interest in the occult who held a number of seances at the castle. He accumulated a huge library of esoteric books, many on the subject of hermeticism and alchemy as well as freemasonry.

If the book was acquired by Leonhardi then it may be that he was aware of certain traditions attached to Bessler's books. I have never accepted that I was the first and only person to discover the existence of the pentagrams and hence the other coded items included in the books. If others were aware of secrets within the books and made their own interpretations of the mysterious features of the double portraits, for instance, then they may have recorded their findings somewhere or corresponded with others to share their knowledge. In some archive, museum or private collection there may well be a record of these findings.

It's fun to speculate but I don't want to start down the slippery slope of conjecture - and without evidence there is nothing to base an opinion on. I merely pass on my thoughts for entertainment purposes!

JC

Unable open or edit blog in Internet Explorer thank google - for nothing!

I am unable to read comments in Internet Explorer (IE) because google chrome have made alterations to the blog.  I can still read them through firefox and, of course, chrome - but I don't like chrome because I can't have my norton identity-safe toobar.  I'm not used to firefox although I could do I suppose.

I have opened up another blog at  http://besslerswheel.wordpress.com/ but I'm not sure whether to abandon this one or stay.  I can of course use chrome but I object to the way they've done this, and I am not alone.

Can people still comment here?  Try and let me know, should I stay or should I go?

JC