Farm Studio's Italian documentary about 'Orffyreus' on youtube gets almost as many hits in one week as my seven websites get in a month!

I was pleased to be contacted by one of the three other people interviewed on the Italian documentary about Orffyreus.  I look forward to some exchanges of views, and my recent experience in Rome has shown me  what friendly, open-minded people the Italians are.  In fact I have seen a distinct swing towards Italians buying copies of my books since the documentary aired on RAI 2 on Monday 12th March, and it certainly shows that the film has attracted more attention in one week than all my years of publishing information about Johann Bessler (Orffyreus) on a number of web sites, radio interviews and magazine articles.

Some years ago a radio interviewer described my efforts as like 'a voice crying in the wilderness', and went on to compare my attempts to persuade the world that Bessler was genuine, to Galileo, because when he stated that the sun was the centre of the solar system, he too, was a voice crying in the wilderness. Most people thought he was crazy or evil, or possibly both. I hasten to add that I am not to be compared in any way with Galileo nor the original subject of the quote - and I don't think I'm crazy or evil.....I admit I have sometimes felt as though I was banging my head against a wall but I never considered giving up.  

But it does go to show the advantages of putting the subject out on TV, the potential audience is vast and if they decide to produce the same film with English and other language subtitles the whole world will come to learn about Bessler and his gravity wheel.  In my opinion the more who know about Bessler, the better the chances are that someone will succeed in reproducing Bessler's wheel and everyone will benefit.

JC

Sir Isaac Newton misrepresented by the false Frank Edwards attribution.

A lot of people have repeated what they believe to be a famous Newton quote, "Sir Isac Newton once observed that the seekers after perpetual motion are trying to get something from nothing."  Now I have always been suspicious of the authenticity of this attribution for three reasons, firstly, it doesn't fit with Newton's early notes about the potential for a gravity-enabled perpetual motion machine, see my blog on Monday, 12 March 2012.  I spent a lifetime researching documents relating to Bessler and in particular, anything connected with professor Gravesande's letter to Newton on the subject of Bessler's wheel.  In all the years I looked I found just one reference to perpetual motion as a potential machine and I have commented on that in the above blog.  There is absolutely no documentary evidence that Newton said anything else about the subject either in writing or as a reported conversation.

Secondly the language is completely un-Newtonesqe.  By that I mean the language phrasing and style is entirely unlike anthing that Newton is quoted as saying elsewhere.  Here are some well-known examples of his words:-

"I do not know what I may appear to the world; but to myself I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me."

"If I have seen further than certain other men it is by standing upon the shoulders of giants."

"I keep the subject of my inquiry constantly before me, and wait till the first dawning opens gradually, by little and little, into a full and clear light."

"If I have ever made any valuable discoveries, it has been owing more to patient attention, than to any other talent."

There are dozens of websites providing examples of Newtons words, and these prove the point.

Thirdly, the first time I came across the quote was in Frank Edward's book, "Strangest of All", in which he recounts the legend of Bessler's wheel, with one or two additional inventions of his own.  Because recently this quote has resurfaced I decided once and for all to either verify it as genuine or prove that it is nothing more than a piece of artistic license - Artistic licence is a colloquial term, sometimes euphemism, used to denote the distortion of fact, alteration of the conventions of grammar or language, or rewording of pre-existing text made by an artist to improve a piece of art. [thanks to wikipedia]. 

We already know that Frank Edwards invented the story about Karl seeing pegs in Bessler's wheel and rushing away to write down a description of what he saw, so it is perfectly reasonable to attribute the quote he ascribes to Newton as in fact another of his own creations.

In order to check out my theory I have searched through many, many web sites looking for every Newton quote available, and there is nothing remotely similar to the one being discussed.  I have also sought other sources for the quote but everyone is almost word for word the same as the one in Frank Edward's book and none of the ones I have seen pre-date Edward's - in most cases the quotation is prefixed with the words, 'Sir Isaac Newton once observed....' a perfect match to Edward's words -  or 'Newton is reputed to have said...'

There is no such quotation mentioned in the earlier book on Bessler, R.T.Gould's book, 'Oddities', yet this compendium of legends is replicated in its entirety in Frank Edward's version, and obviously formed the basis for his book.

It seems that before there was Coast to Coast AM with Art Bell and George Noory, there was Frank Edwards of the Mutual Network, with one of the earliest late night national radio talk shows exploring mysterious topics. He called his program, "Stranger than Science," and covered everything from Bigfoot to UFOs. If the story lacked impact then I guess a little poetic license could  spice it up.

I was fascinated to discover how widespread this quotation has become, thanks largely to the internet.  Even the arch-critic of perpetual motionists, Donald Simanek, [see http://www.lhup.edu/~dsimanek/home.htm] uses it.  

If you put the whole sentence, "Sir Isaac Newton once observed that the seekers after perpetual motion are trying to get something from nothing." in inverted commas into google you get nothing, if you remove the words (or the quote marks) Sir Isaac Newton once observed that, you get about 217 pages, but if you put Sir Isaac Newton's quotes you get 223,000 pages!  The 217 are merely copies which originated in Frank Edwards book.

It may be that Edward's was confusing Leonardo da Vinci's comment, "Oh, ye seekers after perpetual motion, how many vain chimeras have you pursued? Go and take your place with the alchemists!", but it is not the same thing at all and hardly of equal literary value.

JC

Sir Isaac Newton's Perpetual Motion machine.

This is in the interests of trying to correct misleading information relating to Bessler/Orffyreus

Since posting information about Floriano's website at www.orffyreus.it, I've received a number of emails questioning the sketch which, according to him, was done by professor Willem 's Gravesande, and sent to Sir Isaac Newton.  This sketch was actually drawn by Sir Isaac himself. about 24 years before Gravesande was born!  In my first book about Bessler (Perpetual Motion, An Ancient Mystery Solved?) I included the drawing, shown below, because it indicated that Newton considered that a perpetual motion machine could be possible when interacting with gravity.

I wrote that, 'It is a little known fact that in his early notebooks under the heading "Quaestiones"[sic] Newton speculates that gravity (heaviness) is caused by the descent of a subtle matter which strikes all bodies and carries them down. "Whither ye rays of gravity may bee stopped by reflecting or refracting ye, if so a perpetual motion may bee made one of these two ways." Adjacent to these words, Newton added two sketches of perpetual motion powered by the "flux of the gravitational stream".

In full he wrote,

"Try whither the weight of a body may be altered by heate or cold, by dilatation or condensition, beating , poudering, transfering to severall places or severall heights or placing a hot or heavy body over it or under it or by magnetisme whither leade or its dust spread abroade, whither a plate flat ways or edg ways in heaviest, whither the rays of gravity may bee stopped by refecting or refracting them, if so a perpetuall motion may bee made one of these two ways.

The gravity of bodys is as their solidity, because all body{s} descend equall spaces in equal {times} consideration being had to the Resistance of the aire &c"

Now people may well have come to the conclusion that such machines are impossible but it seemed to me then and I remain convinced of it,  that if Newton himself considered it possible and actually drew his  ideas on paper why should subsequent thinkers dismiss it?

In the lower half of the above drawing, Newton also shows his thoughts on using magnets too.

 "Atraction Magneticall

1 The motion of any magneticall ray may bee knowne by attracting a needle in a corke on water.

2 Whither a magneticall pendulum is perpendicular to the Horizon or not, & whither iron is heaviest when impregnated, or when the north pole or southpole is upmost. Coroll. A perpetuall motion .

3 Whither magneticall rays will blow a candle move a red hot copper or iron needle, or passe through a red hot plate of copper or iron

4 A perpetuall motion .

5 Whither a loadestone will not turne around a red hot iron fashioned like wind mill sailes as the wind doth them. Perhaps cold iron may reflect the magn: rays with that pole which shuns the lodestone."

He never published an opinion later on whether he believed such devices were possible or not.

For the modern rendering of Newton's Quaestions" notebook see  http://www.newtonproject.sussex.ac.uk/view/texts/normalized/THEM00092

JC

More Orffyrean related websites

I often get sent ideas and details of other websites which might be of interest to me and recently I received two more.

This email came from a long time correspondent in Italy, who incidentally gave my name to the Italian documentary makers, so thanks for that Floriano, and he has just published a website with his own take on Bessler's wheel.  In it he says that he has decided not to go for a long explanation but preferred to keep it simple to gain and keep people's attention.  This seems to me to a good idea, as I am currently writing an explanation of how I believe Bessler's wheel worked and had intended to publish it either on the occasion of the 300th year since Bessler's first exhibition, or when and if someone else published definitive proof that their wheel works.

I now think I might publish a shorter version at the same time.

Floriano has a web site at www.orffyreus.it and it has some interesting ideas, none of which I must hastily admit, bear any resemblance to mine.  Take a look and see what you think.

On the subject of other websites with an Orffyrean connection, there is also one at www.oldrichnos.com which contains some of the most beautiful drawings on it, other than yours John Worton!  The website has been around a while but is till worth a look and is often added to.

JC

If not gravity-driven then what else drove Bessler's wheel?

I'm continually surprised that Bessler's wheel is still regarded as a fraud.  52 years ago (approximately) I read the maid's account of how she supposedly turned the wheel and I immediately knew it was wrong.  How could a piece of mechanism turn the twelve foot wheel through the bearings?  How could it reach a top speed 26 RPM in just three turns?  How was such a mechanisms hidden in open bearings? How was it hidden during the change over from one set of bearings to another? If it was a fraud and the maid was simply mistaken or fooled into thinking that was how it was done , how else could it have been done?

Which leads us to pondering what force was accessable internally which could be used to turn the wheel?  I have seen the suggestions of ambient temperature changes and I dismiss it with the same gut feeling I originally had when reading about the maid's version of events. Later consideration only added weight to my original conviction that it would not do. I am convinced, satisfied and know that it could only have been gravity supplying the weights with the necessary force and therefore energy.

Instead of shooting us gravity-driven wheel proponents down, I wish the shooters would offer alternative theories which were at leastt as acceptable as the gravity-only ones.  We need theories which offer the same quick response, allowing speedy acceleration of the wheel.  My personal belief is that there isn't one, but if people wish to dismiss gravity-driven wheels and yet find no fault in my argument that the wheel was not fraudulent, then they must offer some kind of suggestion of what force would suffice.  It's no good saying that the wheel was genuine but gravity cannot be used in this way but they can't think of anything else.

It's as clear as daylight to me that gravity provided the energy source, Bessler said so too, and there is no alternative anyway.

JC

Don't assume everything on the internet is correct - it ain't!

The internet is a wonderful source of information but the problem with it is that incorrect information can be spread as easily as the correct stuff.  My work on writing the new book on Bessler is proceeding well and I have tried to ensure that all the information in it is correct, however in the course of double-checking everything some inaccuracies are inevitably found.

In my first version of Bessler's biography I wrote during my research, I had come across no less than three accounts written over a period of some fifty years or more, which all use the same argument in support of their author's contention that Orffyreus was a fraud. They explain away Professor 'sGravesande's belief in the wheel in the following manner. I will quote from the latest account which uses very similar words to the two previous ones. Arthur W.J.G. Ord-Hume's book is called "Perpetual Motion - The History of an Obsession". After describing the examination of the wheel at Kassel by 'sGravesande, the author remarks;

'The Professor certainly seems to have had some measure of faith in the wheel and the demonstration of its ability to turn without apparent external force. We ought not to forget, though, that it may have proved easy to dupe an honest old man whose confidence in humanity was probably unbounded . . . .It is not recorded whether the aging academician ever received a reply to his letter to Sir Isaac Newton.'

As this argument attempted to cast doubt on the professor's competence to decide whether the machine was valid or not, it was important to check his age. If he was elderly, then his capacity as a valuable witness was potentially impaired. In fact, this 'honest old man', this 'aging academician' was born on the 26th September 1688, which means that at the time of the Kassel examination he had reached the grand old age of thirty-three! He lived for over another twenty years, dying in 1742. In 1730 he was described as one of the great luminaries of scientific experimentation at Leiden University, possibly the foremost University of the age. His lectures drew the biggest crowds of students. This does not sound like a man of failing intellectual powers, and he was certainly one who could form an opinion based on the evidence in front of him, which others could rely on as accurate. He would not have upset Orffyreus so much if he had not had the courage to ask the most searching questions concerning the Kassel wheel. The argument that he was old and gullible is invalidated.

It has also been pointed out that I did not include anything about Frank Edwards, "Bessler's Wonderful Wheel", 1956, in which he gives an account of Bessler's wheel.  I omitted it because it contains information which is just plain wrong.  One could kindly call it Poetic Licence, but it is misleading.  According to Edwards,  "When the oiled cloth was stripped away, said Count Karl, he found himself gazing upon a very simple arrangement of weights and levers. Orffyreus explained that he had conceived a system whereby the weights one side of the wheel were farther from the axle than the weights on the other side of the wheel, creating an imbalance which caused the wheel to move. The secret, if there was a secret, lay in the ingenious manner in which the weights on the ascending side of the wheel were prevented from following their normal path next to the rim. Count Karl said that these weights were blocked by small pegs which swung back out of the way as the weight passed the zenith."  There is no documentary evidence to support this account and anyway it does not fit with Karl's recorded actions - it is wrong and that is why I originally left it out, however  have included it in the new book if only to correct the information being published.  Edwards includes a numerous other mistakes such as Christian Wagner being called Claus Wagner for example

But there are still factual errors being posted on the interner and copied and pasted on other websites.  For example in the Gera certificate one of the signees is called Christian Lange and on one website it states that he was Bessler's cousin.  This is not true, Bessler's cousin was Detter Langer, but obviously this was due to a simple misreading of the text, but it has been copied to two other web sites to my certain knowledge. In addition this same website has stated that another signee, Johann Georg Pertsch is described as a professor at University of Helmstedt, however he didn't graduate until 1716 and was only 18 in 1712.  The correct man was his father of the same name and was never a professor and he did not attend University of Helmstedt.  An easy mistake to make but it could lead to confusion.

There are numerous errors on the internet and I have tried to right those relating to Bessler and I hope that when my new book does finally appear it will be error free.  But these little mischiefs do creep in and along with typos and spelling mistakes, are the author's bête noire.

My granddaughter wants me to include this clever little trinket, 

"Don't let 'assume' make an 'ass' out of 'u' and 'me'".

JC

Would My Book Make A Good Movie?

Another emailer asking me if I am doing anything about getting the book made into a movie, following the Italian docuemntary.  Because I think the story of Bessler would make a good movie, I did some research and this is what I found.

It seems that about half the movies made in Hollywood are adaptations of stories that originally appeared as novels, nonfiction books, comic books, short stories, plays, poems, or what have you. Hollywood studios and production companies aggressively scan major magazines and the lists of New York publishers looking for books and stories that would make good feature films or television shows. If Random House or Harper Collins or some other “major” house published your book, chances are that a professional “reader” has already read your book and written a short memo (called “coverage”) assessing its movie potential. 

If your book was self-published, or published by a smaller press or University press, it’s less likely that a Hollywood “reader” has assessed its movie potential. Hollywood is usually interested in making “big,” popular, commercial movies with wide appeal, so they scan publishers’ lists looking for big, popular commercial books. If your book received unfavorable coverage, or if it was published by an obscure press, then it is unlikely that merely submitting your book to Hollywood studios or talent agents will interest them in its movie potential. Someone (usually you or a producer) will have to show them the movie hidden within the pages of your book, if it’s there.

Given the above state of things I sought information on these professional "readers" and I found that they are difficult if not impossible to contact.  It's easier if you have a contact in the movie business but even then they may not see the story as a movie in the way you can.  Still the best way is the get a literary agen to sell it to a publisher and then let him approach Hollywood.

Ah well, back to the computer and the manuscript.

JC

The Italian Documentary "Moto Perpetuo" is finished and I've seen it.

I have just watched the Orffyreus documentary by FarmStudio Factory and I have to say ...it's brilliant!  They have used virtually all the information from my book, "Perpetual Motion;An Ancient Mystery Solved?" and they have made good use of some ingenious graphics and animations.  It has included some shots of me talking but fortunately they have added a voice-over in Italian so you don't hear me umming and erring!  It is shot in a subtle golden glow which gives it an olden-day nostalgic atmosphere, but there are also some moody shadowy scenes too.  I love the Italian commentary - its poetry! Pity I don't speak it, although I was able to follow it in a vague way.

There are three 'experts' interviewed but I have no idea what they were saying or even if they were in agreement with my own views but it doesn't matter as long as more people become aware of Bessler and his work.

I have suggested that they make a version with English subtitles or possibly with an English voice-over but I think they'll do what they want and probably take no notice of me.  I have a copy of the documentary for my own use but I have signed a document agreeing not to share it with anyone, and I dare not violate our agreement. Even if I did share it, it's in Italian so unless anyone understand it they won't know what's happening.

I'll post something when I know when it's going to be aired.

JC

Spring Inspiration!

I've been asked this question many times - did Bessler use springs in his machine?  My answer has always been the same, in my opinion ...no.  He responds angrily and at length to Wagner's frequent suggestions,that springs were used.  Bessler maintains in no uncertain terms that springs were not used in his machine.  He states in Das Tri.... that "its motion depends neither on an external force or assistance, nor, especially, on any internal clockwork device of wheels and springs."

Consider Bessler's point of view; that particular suggestion coming from Wagner implies that some parts were wound up or clockwork. There is no other use for them that would fit in with what was, after all, a discreet accusation that Bessler was guilty of some fault, offence, or crime.  In my opinion any research involving springs to wind up something in Bessler's wheel is a waste of time, in which case Bessler didn't use springs and he wasn't lying.

Having said that, the use of springs for other purposes is most definitely not ruled out.  I have used them myself to dampen lateral sway in some very long levers I designed for use at one time. They may also be used to lessen the effect of impact in a falling weight or reduce the sound of its fall.  Some have suggested using springs to delay a reaction caused by a falling weight and this may be true although I have not used it in that way.  There are several different designs of springs that Bessler could have made use of.

Springs have been used in locks and padlocks since Roman and Viking times and probably earlier....it is no exaggeration to say that iron or steel springs are vital features of the lock’s technological development. Parts of the mechanisms just don’t work without springs. 

So, a lock spring creates tension – which is usually what the key must displace in order to turn the bolt. Thus, springs store power to perform a task either now or later: pushing forward, holding back or softening a force. Springs have done this kind of work for nearly 2,000 years. 

1. Simple plate spring. About 200 AD until the 17th century.

2. Ward springs. About 100 BC until the 19th century.

3. V-shaped plate springs. About 15th to 17th century.

4. Tumbler with plate spring. About 15th century.

5. Torque springs. About 17th century.

6. Compression springs. About 18th century.

7. Tension springs. About 19th century.

[Thanks again to wikipedia for the above information]

Bessler shows padlocks very clearly in some of his drawings.  They required the presence of certain types of springs which were also used in both organs and guns too!  So Bessler would have been very familiar with their various forms and uses. I thought these shapes might provide inspiration?

JC